WorkMei-Lah & LioIn Motion

Sozosei · Case Study 04

From characters

Mei-Lah and Lio began as illustrated characters. The next question was simple: what happens when they start to move?

01 · Character

Personality, held still.

Every expression Mei-Lah and Lio need already exists in the illustration — line, proportion, colour, attitude. Motion has to earn its place on top of that, not invent a new version of them.

Mei-Lah and Lio, illustrated characters

02 · Motion

First movement.

The first movement was deliberately simple: preserve the illustration, then let gesture give the characters a life of their own.

Mei-Lah and Lio, illustrated characters beginning to move.

Sozosei · Case Study 04

From characters
to a living world.

Character Animation · World-Building · Digital Storytelling

Mei-Lah and Lio step off the page — into motion, a built environment, and a world made to be explored and shared.

Mei-Lah and Lio, embracing.

01 / CHARACTER

Personality in motion.

Drawing established who Mei-Lah and Lio were. Movement gave them behaviour — how they react, how they communicate, and how their personalities play against one another.

Mei-Lah, reacting.

REACTION

A character doesn't need to say much.

A glance, a pause, a change in expression — small movements became another layer of character.

One character can react.

Two characters can respond.

Mei-Lah and Lio, interacting.

INTERACTION

Personality isn't only how a character moves.

It's how one character responds to another.

Movement created behaviour.

The next step was giving it somewhere to exist.

02 / WORLD

Building somewhere for them to go.

02 / WORLD

Building somewhere for them to go.

Movement gave Mei-Lah and Lio behaviour. Building a world around them turned that behaviour into a journey — somewhere to enter, explore and move through together.

DEPARTURE

Somewhere to go.

The journey begins in Singapore, with the city moving behind them and a destination ahead.

SINGAPORE SENTOSA

EN ROUTE

ARRIVAL

A world to enter.

Nova World SG · Sentosa

A world is more than a background.

It gives movement somewhere to lead — and gives the characters something to discover, respond to and experience together.

DISCOVERY

BANANA BLAST

Places became encounters.

The environments weren't simply scenery. Each one created a new situation for Mei-Lah and Lio to move through together.

WONDER

Mei-Lah and Lio standing together in front of a fairy-tale castle.

NEXT STOP

AQUA WORLD

IMMERSION

From looking at the world to moving through it.

RETURN

Every journey needs a way home.

THE COMPLETE JOURNEY

See the story as it was made to unfold.

WATCH THE FULL JOURNEY

CHARACTER → WORLD

A world had taken shape.

But it didn't have to remain illustrated.

03 / BETWEEN WORLDS

Drawn characters.
Real places.

03 / BETWEEN WORLDS

The illustrated world didn't have to end at its edges. By carrying Mei-Lah and Lio into filmed environments, motion became a way of connecting their visual language with the city around them.

THE CROSSING

The characters stayed illustrated.
The world around them changed.

The same journey continued — but the environment moved from something drawn to somewhere real.

Crossing the boundary was only the beginning.

The next step was learning how the characters could exist within the real environment itself.

IN PLACE

Not placed over the world.
Placed within it.

Scale, movement and timing were shaped around the live environment, allowing Mei-Lah and Lio to remain unmistakably illustrated while feeling present within the scene.

ILLUSTRATION → ENVIRONMENT

The world became bigger than the illustration.

Once Mei-Lah and Lio could move between drawn and real environments, motion was no longer limited to telling their story. It could become something people could use, send and share.

04 / SHARED

Made to move.
Made to share.

Motion became more than a way of telling Mei-Lah and Lio's story. It became something people could download, send and use in their own conversations.

THE COMPLETE SET

Twelve ways to say Singapore.

Characters, landmarks, food and familiar symbols became a small animated language made for everyday conversation.

Mei-Lah and Lio embracing beneath a Singapore flag heart.
An illustrated Marina Bay Sands giving a thumbs up.
A Chinook helicopter towing a Singapore flag banner.
Two durian characters holding Singapore flags.
Two durian characters celebrating with Singapore flags.
Mei-Lah and Lio beneath the words Majulah Singapura.
Mei-Lah and Lio celebrating National Day.
An illustrated ArtScience Museum character holding a Singapore flag.
Kaya toast, kopi and a soft-boiled egg together.
An illustrated chilli crab holding a Singapore flag.
A solo lion character holding a Singapore flag.
The Esplanade dome with two durian characters celebrating Singapore.

FROM STICKER PACK TO CAMPAIGN

Motion carried the release further.

A social-first campaign brought the collection together, turning the individual stickers into a single National Day release and directing people to the downloadable pack.

FREE DOWNLOAD

Take them with you.

12 animated WhatsApp stickers · Android + iOS

DOWNLOAD THE STICKER PACK

ROLE

Illustration
Character Design
Motion Design
Art Direction

SCOPE

Character Animation
Digital Storytelling
World-Building
Social Content

OUTPUT

Animated Short
Animated Sticker Pack
Social Campaign

TOOLS

Adobe Illustrator
Adobe After Effects